Tsung Hua and Ching Li fall prey to a lecherous general (Feng Tsui-fan) who rapes and forces the latter to become his concubine. With the help of two street performers (Chen Kuan-tai and Shih Szu) he once helped, Tsung hatches a plot to save his beloved, with deadly consequences.
Ching Li , Tsung Hua , Feng Tsui-fan ,Li Jing,Chen Guan Tai
The famous story of the Shaolin Temple's betrayal by the White-Browed Hermit, and the subsequent revenge by Shaolin firebrand Fang Shih-yu, is the stuff of legend. It has been filmed many times by many directors, but few are remembered as fondly as this production. The potent combination of director Chang Cheh and international idol Alexander Fu Sheng caught lightning in a lens. Even so, many were concerned, since this was one of the director's first kung-fu films without the collaboration of his long-time martial arts choreographer Liu Chia-liang. But with new action instructors Hsieh Hsing (future fighting star of Master Of The Flying Guillotine) and Chen Hsin-yi (who also choreographed Jackie Chan in To Kill With Intrigue) - not to mention his talented co-director Wu Ma (future director of the groundbreaking Dead And The Deadly) -- Chang continued his string of hits with this action-packed adventure.
Veteran director Lu Chun-ku leads handsome Liu Yung, pretty Liang Yun-hsin, and “Thundering Mantis,” Liang Chia-jen on a madcap mixup filled with cons, double crosses, and triple plots. It’s starts in sickly comic style as the trio’s fathers are poisoned by Lady Wu so she could steal the rare artifact known as the Double-Faced God. Extracting a deathbed promise from their wives to train their children to take back what is rightfully theirs, the siblings grow up to exact a vengeance that is more hilarious than horrific.
Legendary director Chang Cheh was in a transitional period. The men he had made stars (Jimmy Wang Yu, Ti Lung, and David Chiang among them), had moved on to their own projects. Soon his new star, international idol Alexander Fu Sheng, would also look for other productions. So Chang used this opportunity to test the star power of some new talent, namely a Taiwanese Opera artist (Kuo Chue) and a powerful Chinese muscleman (Lo Meng) — who were soon to become the foundation for his internationally popular "Venom" series. Teaming the trio with the top supporting actors (Ku Feng and Wang Lung-wei) and the prettiest starlets (Lin Chen-chi, Shirley Yu, and Hui Ying-hung), he told an entertaining and exciting tale of a kung-fu blacksmith taking on four famous robbers while a villainous gambling boss plots to destroy them. The resulting thriller was another winner for the vaunted filmmaker.
Betty Ting Pei stars as a singer from Taipei who comes to Hong Kong in search of her missing sister; nearly getting raped by a street gang and rescued by a handsome composer. Among the girls she meets during her investigation are "queen of Shaw kung-fu", Lily Li, and elegant Ouyang Sha-fei. It's all handled with taste and verve by the studio's Japanese import, writer/director Inoue Umetsugu, who made viewers rediscover Hong Kong's splendors and dangers with an outsider's perspective.
Betty Ting Pei, Yang Fan, Lily Li, Ou Yen-ching, Hsia Ping
The Golden Lion (Chao Hsiung) is a bandit with mysterious strength who robs from the rich and gives to the poor. One night, he is ambushed and poisoned by the evil bounty hunter Wang Ching-Tsao (Wang Hsieh) and his gang, who hunt him at the behest of legal authority. Friends take him to a righteous doctor, who cures the wounded bandit despite the threats of Wang Ching-Tsao. The doctor travels with the Golden Lion, his surly son and courageous daughter Lu Wen-fang (Li Ching) to a mountain to develop a life-saving antidote, and they are beset at every perilous turn by Wang Hsieh, who will stop at nothing to catch his quarry!
The Liu Chia-liang trained Hui Ying-hung was considered the top action martial arts female star in the 1980s. It is her martial arts abilities that Michelle Yeoh tries to emulate. In The Tiger and the Widow, Hui Ying-hung is somehow mixed up in a salt smuggling ring that stinks of missing persons and rotten dilemmas. The film gathered two Golden Horse Awards in 1981; Best Costume Design and Best Art Direction.
This bizarre adaptation of the Chinese literary classic “Romance of the Three Kingdoms” by famous director Chang Cheh’s is about a heroic “swords-ghost” who wreaks havoc against one of the corrupt kingdoms.
The crazy bumpkin returns in a sequel for more bittersweet laughs and heart-wrenching misfortune, as his true love becomes the wife of an abusive husband and his uncle further exploits his naïve nature.
It is a story describing the friendship between a poor guy and a rich boy. Hua Heng (David Chiang) is a young artist with a chip on his shoulder who becomes friends with Tu Chia-chi (Alexander Fu Sheng), the only son of a rich man who is attracted by Hua Heng's carefree way of life.
Here he directs a top-notch cast in this tale about a master of disguise, Ko Liang (Chiang, Have Sword, Will Travel, New One Armed Swordsman) who uses the tricks of his trade to come to the aid of two young army corps (Lee and Wang) who have been framed for murder by their despotic, mad-cap captain (Chen). The real fun in this film is in watching the dashing Chiang having a ball with his role multiple rolls and charming his way in and out of a number of tricky situations... what a charmer!
There are martial arts epics and "brotherhood hero" films but then there is nothing out there that comes even close to THE WATER MARGIN. Based on the classic novel and true legend, ALL MEN ARE BROTHERS about how 108 rebels bravely fought against the Sung Dynasty, just about every big Shaw Brothers’ star around at the time, David Chiang, Ti Lung and Chen Kuan-tai to name a few, were called in to do this film to make it one of the most dynamic films in the history of cinema. The film exhausts you with its wild and wooly, yet heroically primitive battle scenes that ultimately end in sharp and visually effective images of death, defeat and heroism. It won Honorable Mention for Dramatic Feature at the 1972 Golden Horse Awards.
David Chiang, Ti Lung, Lily Ho, Chin Feng, Yueh Hua
Long before CROUCHING TIGER, HIDDEN DRAGON wowed the western world, COME DRINK WITH ME set an entirely new standard for martial arts movies in the Far East. Director King Hu not only broke new ground but set the groundwork for all the action films that followed, including CROUCHING TIGER, HIDDEN DRAGON. COME DRINK WITH ME tells the story of a mysterious swordswoman nicknamed "Golden Swallow", and the even more mysterious swordsman, "Beggar". They join forces to free a kidnapped official from a Buddhist monastery run by a corrupt abbot with incredible kung-fu powers. But the real attention-getters are the ingeniously staged action scenes and a cast of characters that looks as cool today as when the film burst upon the cinema scene in 1966.