Shaw's and TVB's biggest stars join hands in this ensemble cast tale of the woes of falling headfirst into a hunger chase for money and riches. In 1973, the Hong Kong Heng Seng Index hit extraordinary peaks, and people from all walks of life go stock market crazy. Meanwhile, Hong Kong's social problems pile up without anyone paying any attention to what's happening to the crazy lives of this mad city that so many people call home. An ingenious tongue-in-cheek tale from talented director Chu Yuan.
In Lady With A Sword, Kao Pao-shu showed that women could successfully direct a "heroic swordsman" film using a swordswoman bent on revenge. Kao cast Shaw's darling Lily Ho as the embittered swordswoman searching for the man who murdered her sister. The man turns out to be her fiance' but her nihilistic fate stays true to lone swordswoman form, as to paraphrase Gary Cooper in High Noon, "A woman's got to do what a woman's got to do."
Mulan disguises herself as a male soldier to replace her aged father in a war against the barbarians. Her courage brings her victory in battles and she was promoted to a general. When Mulan returns home with glory, the chief commander asks her to marry his daughter, forcing Mulan to reveal her true identity.
Ivy Ling Po, Chin Han, Yang Chi Ching, Chen Yin, Ching Miao
Chief of Wu Tang, Ching Chung (Wang Jung) is beaten and wounded by Head of Wu Ti, Tu Ku (Alex Man Chi-leung) in a 10-yearly duel between these remaining two thriving clans. Tu Ku offers to duel with Ching Chung again in two years, hoping to counter his rival clan's Silkworm Skill. Ching Chung's pupilFu Yu-shu (Liu Yung), finds Yun (Hsu Shao-chiang) to be Ching-chung's illegitimate child, and kills Ching-chung, to frame Yun. He then proclaims himself the new Wu Tang Chief and orders the killing of Yun. Meanwhile, Yun learns Silkworm Skill and finally become a No.1 martial artist, she purges the Wu Tang clan and kills Fu to avenge her father's death.
Hsu shao-chiang, Liu Yung, Wan Tzu-liang, liu Hsu-hua
This is a battle between a brave band of Shaolin boxers and the Qing troops, complete with betrayals, intrigues, and fighting machines such as 108 wooden robots. The conflict grows as monks struggle to stay alive under the Qing ruling.
Wen Su Chen, the leader of seven knights, sends his six sworn brothers to investigate a monastery. Unfortunately, they are killed by an abbot who plans to murder Inspector Lin. Wen saved Lin and battles the abbot to avenge his dead sworn brothers. With Lin and his army’s help, they bring down the ruthless monks in the monastery.
The subtle repackage of the most filmed Ching Dynasty novel, The Dream Of The Red Chamber by renowned director Li Han-hsiang has earned public acclaim by attaining The Best Art Direction of The 15th Golden Horse Award, The Best Costume and The Best Art Direction Of The 24th Asian Film Festival. Brigitte Lin and Sylvia Chang play the adorable yet sorrowful couple Bao Yu and Dai Yu; playing their roles to the hilt in this gloomy love story of their uncontrollable destinies.
Brigitte Lin , Sylvia Chang , Deborah , Michelle Mei Suet
Three of Shaw Brothers' finest martial arts directors, who, between them, had made more than a hundred classics, united for this unique anthology film. Yueh Feng writes and directs a clever love-and-kung-fu triangle, Cheng Kang both writes and directs kung-fu courtesans battling brigands, and the "godfather of the kung-fu film," Chang Cheh, creates a cliff-hanging, swashbuckling mini-movie with maxi-action. It's three times the substance, style, skill, and stars in what truly stands as a motion picture event.
Shih Szu, Yueh Hua, Lily Ho, Lo Lieh, David Chiang, Ti Lung
A bandit became a warlord in the northern China by helping Russia fight against Japan. Because of his ignorance and silly behaviour, he was seen as a joke to the people. The warlord was finally killed by the daughter of a troupe master whom he had killed for no reason.
The famous story of the Shaolin Temple's betrayal by the White-Browed Hermit, and the subsequent revenge by Shaolin firebrand Fang Shih-yu, is the stuff of legend. It has been filmed many times by many directors, but few are remembered as fondly as this production. The potent combination of director Chang Cheh and international idol Alexander Fu Sheng caught lightning in a lens. Even so, many were concerned, since this was one of the director's first kung-fu films without the collaboration of his long-time martial arts choreographer Liu Chia-liang. But with new action instructors Hsieh Hsing (future fighting star of Master Of The Flying Guillotine) and Chen Hsin-yi (who also choreographed Jackie Chan in To Kill With Intrigue) - not to mention his talented co-director Wu Ma (future director of the groundbreaking Dead And The Deadly) -- Chang continued his string of hits with this action-packed adventure.
Linda Lin Dai gives a soul-stirring performance as a real-life beauty that is tricked into sacrificing herself for the good of the Chinese people. Truth is revealed too late, and she kills herself. Life imitates art and years later, Linda committed suicide.
Lin Dai , Chao Lei , Hung Por ,Wang Yueh-ting , Chang Tsui-yin , Li Yin
Connecting all the antics of bosses, monks, beggars, and thieves is the slippery and sinuous efforts of three pickpockets so adept at their chosen skill that they can even trick three beauties of their underwear without missing a step.
In 1975, Ho Meng-hua, master of the "esoteric weapon" kung-fu thriller, started an international sensation with The Flying Guillotine. But while he went on to direct such further "crazy cutlery" hits as The Dragon Missile, popular demand insisted upon a sequel to the original decapitator-on-a-chain. So, first, they got a script by a trio of writers, featuring a new, improved "Ring-Chain Flying Guillotine" and the only weapon that can stop it, the "Toothed Wheel". Next they matched Cheng Kang, the director of their popular true crime thriller The Criminals, with Hua Shan, the director of their superheroes Super Inframan, to double-team the project. Then they cast some of the best martial arts actors in their repertory - all ably choreographed by the often unsung, but universally respected Tang Chia. Finally they filmed Ti Lung as a fugitive from the emperor’s cruelty, against the whole F.G. gang in a blade-on-blade battle to the headless death!
When reputable fight choreographer Liu Chia-liang debuted as a director with THE SPIRITUAL BOXER, it not only established him as a superb director, but it also encouraged other martial arts instructors to turn to directing. Plus, it was the first film to introduce comedy into kung-fu so it made sense for Liu to return to that foundation with the same bumbling idiot Wang Yu still not quite getting it when it comes to the affair of ghost control in THE SHADOW BOXING. Liu also brings in both of his brothers Liu Chia-yung and Gordon Liu Chia-hui, which guaranteed that the fights would be an extra notch above magnificent further ensuring that the audience had never seen anything like it before. THE SHADOW BOXING was twice as successful as THE SPIRITUAL BOXER.