Kuo Ching-chung (Ling Yun), an office worker, his wife, Chen Mei-chuan (Terry Liu) and his sister, Carrie (Chiang San), are passengers on a ferry bound for an outlying island of Hong Kong. On board the same boat are a group of young hooligans who form the so-called 'speed gang' of motorcyclists. One of them called Michael makes advances to Carrie, but is stopped by his brother Johnny, the ringleader. On the island, the trio goes joy-riding on a car, while Carrie's boyfriend Huang Szu-wei (Danny Lee) goes fishing. The 'speed gang' harasses them by driving their motorbikes around their car at breakneck speed. In the evening the gangs take part in a motorcycle race organized by Johnny. The winners are given the company of girls from the 'speed gang'. Kuo and Huang plan to take Chen Mei-chuan and Carrie back to town to avoid being molested, but the gangs stop them by playing different tricks including the deflating of their car tyres. In an ensuing scuffle, Chen Mei-chuan is assaulted and Carrie is killed. Jumping on a motorbike, Huang races it against the hooligans, knocking them down, but is killed by a stone hurled at his head. Michael again tries to rape Chen Mei-chuan in a forest, but is overpowered by her husband who arrives in the nick of time. He is then tied up and took to Kuo's house. The teddy boys led by Johnny subsequently arrive to storm it and succeed in breaking into it after a series of attempts. However, they meet with stubborn resistance from Kuo and his wife. Fortunately, the Marine Police arrive just in time to arrest the teddy boys.

Not only does King Eagle pave the way for Ti Lung's future wandering-swordsman characters, but it also stars the beautiful Li Ching in dual roles of good and evil sisters, in this marital arts master piece.

This is an extremely rare example of science fiction, Hong Kong style. But fittingly, it's unlike any sci-fi flick you've ever seen. Alien abductions, suicide pacts, superstardom, and the reality of science fiction itself is highlighted in this bright, crazy, and truly out-of-this-world epic--one of the more unusual movies in the Hong Kong cinema of the early 1980s.

Director/actor Chan Friend joined award-winning social satirist Alfred Cheung Kin-ting to create and act in this delightful variation on the hugely successful British Carry On! film series. It all takes place at St. Morant Hospital where a harried but lovely administrator (Meg Lam) must deal with lusty interns, chaste (and chased) student nurses, a delirious surgeon, a dissection fiend, a criticizing Commissioner, and gross negligence at regular intervals. This group couldn’t fix anything...but your funny bone.

Director Chu Yuan reunited with novelist Ku Lung and superstar Ti Lung in this exciting sequel to Clans of Intrigue. Ti returns to our favourite costume drama role and plays the hero, sexy swordsman Chu Liu-hsiang, whose exploits on the battlefield are rivaled by those in the boudoir. This time he travels to the mysterious Island of the Bats, where he encounters treacherous monks, beautiful women, and a strange Prince of the Bats. Filled with non-stop action and erotic romances, the film is definitely an exhilarating feast for the eyes.

The Story Of Sue Sanis a compelling Shaw Brothers Huangmei Opera, which centers on the romance between Wang Chin-lung (Chao Lei) and Sue San (Betty Loh Ti). Although their love for one other may be perfectly matched, the two are worlds apart when it comes to social ranking. Chin-lung is the son of a respected government official, whereas Su San is a famous prostitute! The ugly truth will prove hard to overcome to attain bliss...

David Chiang teams up with Chang Cheh's acclaimed screenwriter Ni Kuang (who has written over 300 screenplays) to continue his epic "heroic brotherhood" caricature in his second directorial feature, The Condemned. In the film, Chiang plays a righteous character who helps an injustly imprisoned swordsman accused of stealing. Together they break out of prison and serve notice to all the evil men in their lives that a new deadly duo is in town.

Guitar-playing rich kid, Yang Fan, heads to Japan to join a rock 'n' roll band where he soon finds himself competing for the affections of two beautiful girls.

Besides his pioneering films based on authentic martial artistry and kung-fu comedies during the 1970's, acclaimed director Liu Chia-liang also embraced the master/pupil relationship to form the cornerstone of many of his other works where his characters exhibited physical and moral failure as a means to either "make them or break them". Besides directing MAD MONKEY KING FU, it's also Liu's debut as a lead actor playing down and out, monkey kung-fu master Chen, crippled by the ruthless villain Tuen (Shaw's penultimate bad guy Lo Lieh). Street boy Hsiao Hou (which means "little monkey" and played by popular martial arts aerialist Hsiao Hao) convinces Chen to teach him monkey kung-fu to avenge Chen's shame. The wacky training sequences and outlandish finale fight leave you stupefied.

Perfectly cast as a woman impersonating a man, Ivy Ling Po - who has made a career in Huangmei Opera playing male roles - is the tomboyish daughter of a general who has grown up fooling everyone that she is a boy. Like Yentl forced into disguise, Pei-ngo (Ivy Ling Po) maintains her masculine facade for the freedom she isn't allowed as a girl. Her act is so good, she has fooled her two closest schoolmates for years. However, her mother believes she has reached an age to contemplate marriage. Which one of her schoolmates will she accept? And how will Pei-ngo break the news to them that she is a girl? Complicating things further, another girl wants to marry the cross-dressed Pei-ngo. It's another historical period triumph with terrific Huangmei Opera music to charm and delight.

This is a sequel to Chang Cheh’s epic “The Water Margin”, and follows the patriotic story of seven warriors in the band of 108 outlaws at Mount Liang. The magnificent seven battle against the despotic government officials to save their country.

Starring the stunning, teenage heartthrob Pat Ting Hung, The Butterfly Chalice marks the important directing debut of the kung-fu film genre's most principle figure Chang Cheh, as he burst the martial arts and swordplay movie doors wide open, announcing the beginning of the end for the Cantonese musicals.

A group of farmers who are being oppressed by the local magistrates kidnap one of the magistrate’s daughter in the hope of being heard by the authorities. A wandering swordsman offers his help and aiding him are two fighters who have both switched sides from being the oppressors to the oppressed. The trio fight back against the magistrates, while attempting to find a higher authority to quell the oppression of the farmers.

This is based on the real-life story of Master Yu Jim Yuen who strives to run his academy in the 1960s, even as the opera culture is declining. Three young men, Sammo Hung, Jackie Chan and Yuen Biao, are determined to train under Master Yu and undergo extremely tough training before they become three of Hong Kong’s biggest stars